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The Wall

4.80 out of 5 based on 5 customer ratings
(5 customer reviews)

$99.00 $59.00

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Features

  • Dual Limiting Modes
  • Huge variety of styles with simple interface
  • Sanity Check normalizes your level so you can compare your original sound with the compressed sound without introducing a level change.
  • Up to 8x oversampling to prevent intersample peaks.
  • Dithering, because… Why not?

Free Demo Version

The free demo version gives you a little nag screen every time you open it and resets to default. After that, it functions normally until you close your project.

Mac | Windows

User Manual

Description

Why does the world need another limiter?

The Wall is is a brick wall limiter designed with one thing in mind: Make your mixes loud without screwing up your mix. No matter what side of the loudness wars you’ve decided to plant yourself on, the need to make mixes loud for clients isn’t going away any time soon. Sending your clients home with a mix that is just as loud as the professional mixes they are used to hearing is an important part of any mixing engineer’s job.

But nothing drives me more insane than listening to all my hard work turn to garbage when pushing the mix loud. That’s why we made this plugin. We wanted a mastering limiter that lets you push your mixes loud and still keep the punch in your drums and keep your tonality intact.

There are many Limiters out there, and one of the things that we learned while making this is that a good limiting algorithm is complicated. There are tons of steps involved in transparently limiting music and most of the parameters are completely non-intuitive. When I’m mastering my music, I don’t want to think about release and attack times, lookahead times, window shapes, multiband crossover frequencies, etc. but I want to dial in the limiter to match the music I’m sending it.

So we took over 30 parameters and combined them into a very simple and intuitive “Flavor” control. It really couldn’t be easier to use. You set your level, then adjust the flavor until it sounds good with your song. And if that’s not enough, The Wall comes with 2 completely different limiting algorithms that you can switch through very quickly. It’s just so easy to use.

Also, I really wanted an excuse to make this video.

The Wall

5 reviews for The Wall

  1. 5 out of 5

    I’ve been using this on new material and I’m ready to sell a couple of my other more expensive plugs. This covers pretty much all flavors of music. I simply love this plugin!

  2. 5 out of 5

    Since i started using boz digital manic compressor i took my mixes to another level and all of a sudden when the wall was built i put my all mixes to the top of the brick of this Wall to be honest i’m stunt and so astonished by the quality and the transparency of this wonderful vst thanking boz Millar for his dedication and efforts.

    La terra Lumina Productions
    Milan.Italy.

  3. 5 out of 5

    The wall is really bo, it does not alter the sound helps push your mix without problems.
    Thank you to Boz Digital team.
    This plugin is awesome.

  4. 4 out of 5

    Been using The Wall since its release, and it’s quickly become my go-to limiter. I throw it up on drum buses, on the 2bus, I even track through it when I’m recording full bands. It’s super versatile and transparent, you can really drive it without any artifacts. And the ‘Sanity Check’ is a great idea, more plugins should have this feature.

  5. 5 out of 5

    I’m a long time home recording hobbyist who has struggled for decades to get good tone on any instrument. I’ve never been able to afford the good hardware by any stretch, so my opinion on this is more of an Thank You! for making GREAT tone easily available. The Wall takes my music from clean and clear (read: wimpy) to full and punchy. I discovered limiters for use on bass tracks a few years ago but never had the balls I wanted. The Chris Squire – Geddy Lee wall of thunder is something I’ve tried to get for 30 years, and I’ve gotten close, but I can actually OVER DO IT with this! YAAYYYYYY!!! $100 bucks? I’ve wasted years trying to get good, full tone. $100 bucks is NOTHING.

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